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https://www.storyboardthat.com/lesson-plans/wringer-by-jerry-spinelli/text-connection
Activity Overview
Template and Class Instructions
Rubric
Activity Overview Accordion Arrow

Activity Overview


Having students choose a favorite quote or scene from the book allows them to express which parts of the story resonated with them on a personal level. In this way, students are making a text-to-self connection that demonstrates their understanding of the characters and their development or the themes of the novel. Students can share their storyboards afterwards and have a short discussion about what the quotes mean to them.

Some students may end up choosing the same quote, but have different perspectives. This is always interesting for students to see and can open up a discussion as to how not everyone can read the same lines in the same way based on their own perspectives and personal experiences.


Examples of Quotes from Wringer

“He did not want to be a wringer. This was one of the first things he had learned about himself. He could not have said exactly when he learned it, but it was very early. And more than early, it was deep inside. In the stomach, like hunger.”


“For the moment he wondered if he would be getting The Treatment, but he pushed that thought side. He was getting greedy. He had already been blessed enough for one day.”


"It was pointless to say more, pointless to say, I like their presents just as much as yours, because they did it themselves. That means something. It means we came into your house. We gave you a cigar butt. You are one of us."


“...suddenly the sunlight was briefly snipped, as if a page had been turned in front of a lightbulb.”


“During the week his father said many things, mostly with his hands. He rubbed Palmer’s hair and squeezed his shoulder and tugged on his shirt and tickled his ribs and pulled him backward with a finger hooked in the back pocket of his jeans and lightly brushed the side of his neck with his fingertips as he stopped and chatted with friends. Each of these things had a different meaning to Palmer and yet the same—a language unlearned, of words unheard, that came to roost at some warm and waiting perch far below his ears.”


“Killing the pigeons and putting them out of their misery stubbornly refused to mean the same thing. Palmer thought about misery, and it seemed to him that a shotgun was not the only way to end it. When Palmer was miserable, for example, his mother or father would hold him close and wipe his tears. When Palmer's mother or father put him out of his misery, they did not shoot him, they offered him a cookie. Why then on Pigeon Day did the people bring guns instead of cookies?”


“And to those nearby, and finally to Beans himself, it became clear that even now, even this close, still—still—she would not look at him. And then she did it. She spoke. But the person she spoke to was not Beans. It was Palmer LaRue. She took one step back from Beans and walked straight over to Palmer and stood squarely in front of him and said, “Why are you doing this to me?” And just like that, the girl in the red coat and floppy hat was no longer a target. She was Dorothy, there were tears in her eyes, and she was saying to him, not to anyone else, but to him, to Palmer, “Why are you doing this to me?” And he knew that through these last weeks she had been hurting after all, and that it had been himself, not Beans, who had hurt her the most.”

“In a way more felt than thought, he sensed a connection between Nipper’s absence and Dorothy’s words, which had been haunting him without letup.”


“They shoot them.” For a long time Dorothy Gruzik did not move. It looked as if she were waiting for rain to fall into her mouth. When she finally turned her eyes back to Palmer, he wished he wasn’t there. “What?” she said. “They shoot them,” he repeated, and the words were dusty and bitter on his tongue. There seemed only one way to get rid of the bad taste, and that was to flush out his mouth with more and more words.”


“Then he began smelling the gray and sour odor even when his father wasn’t there, even when Pigeon Day was over. It might happen in the morning as he sat in school, or at night as he lay in bed. It could even happen in his father’s lap in the middle of winter, when the shotgun had been locked away for months. The smell was sure to come on his birthday. It did not spoil his birthday, as it did not spoil his father’s lap, but it changed those things so they did not feel quite as good as before.”


“Next thing he knew he was yanked out of bed and onto his feet. “Come on,” whispered Beans, “we got somewhere to go.” It did not occur to Palmer not to go along. Once the shock wore off, he realized what an honor had been granted him. Imagine: A month ago these guys ignored him except to tease him; now they snuck into his house and climbed into bed with him. Palmer LaRue. Amazing!”


“He loved to see them playing with his birthday present. Each thud of a foot said: We’re kicking your soccer ball. We like you. You’re one of us.”


Whose streak, unlike Beans’s, was meek, not mean. Who ran with Beans and Mutto. Who did what they did. But was different.”


“In the utter darkness he felt himself to be nothing but ears and fingertips. He could feel Nipper’s heartbeat, putt-putting away behind the toothpick ribs like a tiny motor scooter. He could feel the cold, golden gaze of the trophy pigeon two rooms away. The silence of the house at night was not total. Somewhere a clock was ticking. Cricks and creaks came from nearby and distant quarters, as if the house were twitching in a sleep of its own.”


“The setting sun seemed to have ladled its syrupy light over the crusted snow, so that ordinary house parts and backyards in this fading moment seemed a spectacular raspberry dessert.”


“Henry was staring at the sky. Palmer saw Henry for what he was: a captive, strong enough to warn him about last night, but too weak to do anything except follow Beans. He saw in Henry something of himself, and worse, what he could become.”


“Same old across-the-street Dorothy he had known all his life. And yet, somehow, not the same old Dorothy. Though she looked the same as always, Palmer had been seeing something else in her lately. Whatever it was, it registered not in his eyes but in his feelings, and was most clearly known to him by its absence in the company of anyone but her. It made him feel floating.”


“...he told her again and again that he did not, he really did not want to be a wringer. Dorothy hopped down from the desk. She walked across the room and stood before Palmer and looked straight into his eyes. “Then don’t,” she said. She made it sound so simple.”


“The price of peace had been high: expelling himself from the gang, proclaiming himself a traitor, banishing his beloved pet. For such a price, a peace should be excellent. Yet when Palmer reached for it, tried to taste it, it was not there.”


"When it came to pigeons, he did not trust anyone in town, except maybe Dorothy Gruzik."


"An unexpected episode occurred during this year’s event. At one point in the late afternoon an unidentified boy dashed onto the shooting field and retrieved a wounded pigeon. Shooting was immediately halted, and the reckless lad, perhaps seeking an unusual pet for himself, was allowed to leave the premises with the bird.



Template and Class Instructions Accordion Arrow

Template and Class Instructions

(These instructions are completely customizable. After clicking "Copy Activity", update the instructions on the Edit Tab of the assignment.)



Due Date:

Objective: Create a storyboard that identifies your favorite quote or scene in the story. Illustrate your quote or scene and in the description box, write about its significance to the story and what it means to you.

Student Instructions:

  1. Click "Start Assignment".
  2. Choose a favorite quote or scene from the story.
  3. Create an image that represents this quote or scene using appropriate scenes, characters and items.
  4. In the description box, write about the significance this quote or scene has in the story and write About what it means to you.
  5. Requirements: Quote or Scene, Illustration, minimum 2-3 sentences about its significance and what it means to you.

Lesson Plan Reference

Switch to: Common CoreArizonaCaliforniaColoradoFloridaGeorgiaIowaKansasMarylandMassachusettsNebraskaNew JerseyNew YorkNorth CarolinaOhioOklahomaPennsylvaniaTexasUtah

Rubric Accordion Arrow

Rubric

(You can also create your own on Quick Rubric.)


Favorite Quote
Explain and illustrate your favorite quote from the book.
Proficient
7 Points
Emerging
4 Points
Beginning
1 Points
Explanation
The explanation of what the quote means to the student is clear and at least two sentences.
The explanation of what the quote means to the student can be understood but it is somewhat unclear.
The explanation of what the quote means to the student is unclear and is not at least two sentences.
Illustrations
The illustration represents the quote or explanation using appropriate scenes, characters and items.
The illustration relates to the quote or explanation, but is difficult to understand.
The illustration does not clearly relate to the quote or the explanation.
Evidence of Effort
Work is well written and carefully thought out.
Work shows some evidence of effort.
Work shows little evidence of any effort.


Activity Overview


Having students choose a favorite quote or scene from the book allows them to express which parts of the story resonated with them on a personal level. In this way, students are making a text-to-self connection that demonstrates their understanding of the characters and their development or the themes of the novel. Students can share their storyboards afterwards and have a short discussion about what the quotes mean to them.

Some students may end up choosing the same quote, but have different perspectives. This is always interesting for students to see and can open up a discussion as to how not everyone can read the same lines in the same way based on their own perspectives and personal experiences.


Examples of Quotes from Wringer

“He did not want to be a wringer. This was one of the first things he had learned about himself. He could not have said exactly when he learned it, but it was very early. And more than early, it was deep inside. In the stomach, like hunger.”


“For the moment he wondered if he would be getting The Treatment, but he pushed that thought side. He was getting greedy. He had already been blessed enough for one day.”


"It was pointless to say more, pointless to say, I like their presents just as much as yours, because they did it themselves. That means something. It means we came into your house. We gave you a cigar butt. You are one of us."


“...suddenly the sunlight was briefly snipped, as if a page had been turned in front of a lightbulb.”


“During the week his father said many things, mostly with his hands. He rubbed Palmer’s hair and squeezed his shoulder and tugged on his shirt and tickled his ribs and pulled him backward with a finger hooked in the back pocket of his jeans and lightly brushed the side of his neck with his fingertips as he stopped and chatted with friends. Each of these things had a different meaning to Palmer and yet the same—a language unlearned, of words unheard, that came to roost at some warm and waiting perch far below his ears.”


“Killing the pigeons and putting them out of their misery stubbornly refused to mean the same thing. Palmer thought about misery, and it seemed to him that a shotgun was not the only way to end it. When Palmer was miserable, for example, his mother or father would hold him close and wipe his tears. When Palmer's mother or father put him out of his misery, they did not shoot him, they offered him a cookie. Why then on Pigeon Day did the people bring guns instead of cookies?”


“And to those nearby, and finally to Beans himself, it became clear that even now, even this close, still—still—she would not look at him. And then she did it. She spoke. But the person she spoke to was not Beans. It was Palmer LaRue. She took one step back from Beans and walked straight over to Palmer and stood squarely in front of him and said, “Why are you doing this to me?” And just like that, the girl in the red coat and floppy hat was no longer a target. She was Dorothy, there were tears in her eyes, and she was saying to him, not to anyone else, but to him, to Palmer, “Why are you doing this to me?” And he knew that through these last weeks she had been hurting after all, and that it had been himself, not Beans, who had hurt her the most.”

“In a way more felt than thought, he sensed a connection between Nipper’s absence and Dorothy’s words, which had been haunting him without letup.”


“They shoot them.” For a long time Dorothy Gruzik did not move. It looked as if she were waiting for rain to fall into her mouth. When she finally turned her eyes back to Palmer, he wished he wasn’t there. “What?” she said. “They shoot them,” he repeated, and the words were dusty and bitter on his tongue. There seemed only one way to get rid of the bad taste, and that was to flush out his mouth with more and more words.”


“Then he began smelling the gray and sour odor even when his father wasn’t there, even when Pigeon Day was over. It might happen in the morning as he sat in school, or at night as he lay in bed. It could even happen in his father’s lap in the middle of winter, when the shotgun had been locked away for months. The smell was sure to come on his birthday. It did not spoil his birthday, as it did not spoil his father’s lap, but it changed those things so they did not feel quite as good as before.”


“Next thing he knew he was yanked out of bed and onto his feet. “Come on,” whispered Beans, “we got somewhere to go.” It did not occur to Palmer not to go along. Once the shock wore off, he realized what an honor had been granted him. Imagine: A month ago these guys ignored him except to tease him; now they snuck into his house and climbed into bed with him. Palmer LaRue. Amazing!”


“He loved to see them playing with his birthday present. Each thud of a foot said: We’re kicking your soccer ball. We like you. You’re one of us.”


Whose streak, unlike Beans’s, was meek, not mean. Who ran with Beans and Mutto. Who did what they did. But was different.”


“In the utter darkness he felt himself to be nothing but ears and fingertips. He could feel Nipper’s heartbeat, putt-putting away behind the toothpick ribs like a tiny motor scooter. He could feel the cold, golden gaze of the trophy pigeon two rooms away. The silence of the house at night was not total. Somewhere a clock was ticking. Cricks and creaks came from nearby and distant quarters, as if the house were twitching in a sleep of its own.”


“The setting sun seemed to have ladled its syrupy light over the crusted snow, so that ordinary house parts and backyards in this fading moment seemed a spectacular raspberry dessert.”


“Henry was staring at the sky. Palmer saw Henry for what he was: a captive, strong enough to warn him about last night, but too weak to do anything except follow Beans. He saw in Henry something of himself, and worse, what he could become.”


“Same old across-the-street Dorothy he had known all his life. And yet, somehow, not the same old Dorothy. Though she looked the same as always, Palmer had been seeing something else in her lately. Whatever it was, it registered not in his eyes but in his feelings, and was most clearly known to him by its absence in the company of anyone but her. It made him feel floating.”


“...he told her again and again that he did not, he really did not want to be a wringer. Dorothy hopped down from the desk. She walked across the room and stood before Palmer and looked straight into his eyes. “Then don’t,” she said. She made it sound so simple.”


“The price of peace had been high: expelling himself from the gang, proclaiming himself a traitor, banishing his beloved pet. For such a price, a peace should be excellent. Yet when Palmer reached for it, tried to taste it, it was not there.”


"When it came to pigeons, he did not trust anyone in town, except maybe Dorothy Gruzik."


"An unexpected episode occurred during this year’s event. At one point in the late afternoon an unidentified boy dashed onto the shooting field and retrieved a wounded pigeon. Shooting was immediately halted, and the reckless lad, perhaps seeking an unusual pet for himself, was allowed to leave the premises with the bird.



Template and Class Instructions

(These instructions are completely customizable. After clicking "Copy Activity", update the instructions on the Edit Tab of the assignment.)



Due Date:

Objective: Create a storyboard that identifies your favorite quote or scene in the story. Illustrate your quote or scene and in the description box, write about its significance to the story and what it means to you.

Student Instructions:

  1. Click "Start Assignment".
  2. Choose a favorite quote or scene from the story.
  3. Create an image that represents this quote or scene using appropriate scenes, characters and items.
  4. In the description box, write about the significance this quote or scene has in the story and write About what it means to you.
  5. Requirements: Quote or Scene, Illustration, minimum 2-3 sentences about its significance and what it means to you.

Lesson Plan Reference

Switch to: Common CoreArizonaCaliforniaColoradoFloridaGeorgiaIowaKansasMarylandMassachusettsNebraskaNew JerseyNew YorkNorth CarolinaOhioOklahomaPennsylvaniaTexasUtah

Rubric

(You can also create your own on Quick Rubric.)


Favorite Quote
Explain and illustrate your favorite quote from the book.
Proficient
7 Points
Emerging
4 Points
Beginning
1 Points
Explanation
The explanation of what the quote means to the student is clear and at least two sentences.
The explanation of what the quote means to the student can be understood but it is somewhat unclear.
The explanation of what the quote means to the student is unclear and is not at least two sentences.
Illustrations
The illustration represents the quote or explanation using appropriate scenes, characters and items.
The illustration relates to the quote or explanation, but is difficult to understand.
The illustration does not clearly relate to the quote or the explanation.
Evidence of Effort
Work is well written and carefully thought out.
Work shows some evidence of effort.
Work shows little evidence of any effort.


How to Teach Text-to-Self Connections Using Favorite Scenes

1

Introduction

Begin by discussing the concept of text-to-self connections and their importance in reading. Provide a brief overview of the novel "Wringer" and explain the activity of selecting a favorite scene. Model making a text-to-self connection with an example from a different story. Engage students in a class discussion about the significance of making connections while reading.

2

Reading and Scene Selection

Distribute copies of "Wringer" to the students or have them access the book if available digitally. Ask students to read up to a specified point in the novel and select their favorite scene. Encourage students to jot down notes on why they chose this scene and what resonated with them. Provide guidance and support to any students who may struggle with scene selection.

3

Making Text-to-Self Connections

Have students return to their favorite scenes and write or illustrate their text-to-self connections. For each connection, students should briefly describe the scene from "Wringer" and then explain how it connects to their own experiences, thoughts, or feelings. Encourage specificity and reflection in their connections. Model the process with your own example. Circulate around the classroom to provide assistance and engage in one-on-one discussions with students.

4

Sharing and Discussion

Ask students to share their favorite scenes and text-to-self connections with the class, either verbally or by displaying their visual representations. After each presentation, open the floor for class discussions. Encourage peers to ask questions and provide feedback on the connections made. Facilitate a broader discussion about common themes or patterns that emerge from the connections, tying them back to the novel's characters and themes.

Frequently Asked Questions about Favorite Scene from Wringer

Why is the Pigeon Day scene often considered a favorite among readers of "Wringer"?

The Pigeon Day scene in "Wringer" holds a special place among readers because it encapsulates the novel's central conflict and themes in a gripping and emotionally charged moment. It's a scene of intense moral dilemma and personal growth, where the protagonist, Palmer, faces a profound choice between conforming to tradition and staying true to his values. Readers resonate with this scene because it forces them to question their own beliefs and ethical decisions. The tension, inner turmoil, and courage displayed by Palmer make this scene a memorable and thought-provoking favorite.

How does the Pigeon Day scene in "Wringer" relate to real-world issues, such as peer pressure, societal norms, and ethical decision-making, making it relevant to young readers?

The Pigeon Day scene in "Wringer" is highly relevant to real-world issues, particularly for young readers navigating the complexities of peer pressure and ethical decision-making. It mirrors situations where individuals, especially young people, are confronted with the expectations of a group or society that may clash with their personal values. Palmer's struggle reflects the universal challenge of staying true to oneself in the face of conformity. It invites young readers to contemplate the importance of making ethical choices, even when it's difficult, and encourages them to stand up for their principles, fostering empathy and critical thinking about the world around them.

How does the resolution of the Pigeon Day scene impact the development of the story's central themes, and what broader life lessons can be gleaned from Palmer's decision?

The resolution of the Pigeon Day scene in "Wringer" profoundly impacts the novel's central themes of individuality, morality, and personal growth. Palmer's decision to spare the pigeon, Nipper, defies societal norms and expectations, highlighting the theme of standing up for one's convictions. It reinforces the idea that it takes courage to be true to oneself, even when faced with pressure to conform. The scene teaches young readers valuable life lessons about the importance of empathy, compassion, and moral integrity. It reminds them that they have the power to make ethical choices that align with their values, and that these choices can define their character and shape their journey toward becoming better individuals.




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