omelas story board
Montāžas Teksta
- The child is afraid of the mops and finds them horrible. It shuts its eyes, but it knows the mops are still standing there; and the door is locked; and nobody will come. The
- One of them may come and kick the child to make it stand up. The others never come close, but peer in at it with frightened, disgusted eyes. The food bowl and the water jug are hastily filled, th
- If the child were brought up into the sunlight out of that vile place, if it were cleaned and fed and comforted, the beauty and delight of Omelas would wither and be destroyed.
- when they go to see the boy some people feel sad and some people just as the other people living in the omelas deal with the truth and stay as if it has to be there.
- They know that they, like the child, are not free. They know compassion. It is the existence of the child, and their knowledge of its existence, that makes possible the nobility of their architecture, the poignancy of their music, the profundity of their science. It is because of the child that they are so gentle with children. They know that if the wretched one were not there sniveling in the dark, the other one, the flute-player, could make no joyful music as the young riders line up in their beauty for the race in the sunlight of the first morning of summer (LeGuin 8).
- At times one of the adolescent girls or boys who go to see the child does not go home to weep or rage, does not, in fact, go home at all... These people go out into the street, and walk down the street alone. They keep walking, and walk straight out of the city of Omelas, through the beautiful gates... They go on. They leave Omelas, they walk ahead into the darkness, and they do not come back. The place they go towards is a place even less imaginable to most of us than the city of happiness. I cannot describe it at all. It is possible that it does not exist. But they seem to know where they are going, the ones who walk away from Omelas (LeGuin 8).
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