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Tight Framing

Tight framing into two shot

Zoom/tight framing into loose frame 

Pans away from Laertes and is eye level with Ophelia

Standing eye level to Laertes, Two shot

(Two shot) into panning away from Ophelia and Laertes, tilt from down to up

Laertes is packing. While packing he talks to Ophelia. His back is turned to Ophelia while Ophelia is sitting

Focused on Laertes then frame shows Ophelia during their conversation

Zooms on Laertes until he’s almost done talking then goes into loose frame to show reaction

This is used to show Laertes and Ophelia engaged in talking

conflict with Laertes. Ophelia is talking back to Laertes

Focus goes onto Polonius to show that he’s the most respected

My necessaries are embarked 

Forward, not permanent, sweet, not

lasting. The perfume and suppliance of a minute; No more


Perhaps he loves you now… He may not, as un valued persons do…

Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven…



… I stay too long: but here my father comes

A double blessing is a double grace, occasion smiles upon a second leave

Create your own at Storyboard That

Tight Framing

Tight framing into two shot

Zoom/tight framing into loose frame 

Pans away from Laertes and is eye level with Ophelia

Standing eye level to Laertes, Two shot

(Two shot) into panning away from Ophelia and Laertes, tilt from down to up

Laertes is packing. While packing he talks to Ophelia. His back is turned to Ophelia while Ophelia is sitting

Focused on Laertes then frame shows Ophelia during their conversation

Zooms on Laertes until he’s almost done talking then goes into loose frame to show reaction

This is used to show Laertes and Ophelia engaged in talking

conflict with Laertes. Ophelia is talking back to Laertes

Focus goes onto Polonius to show that he’s the most respected

My necessaries are embarked 

Forward, not permanent, sweet, not

lasting. The perfume and suppliance of a minute; No more


Perhaps he loves you now… He may not, as un valued persons do…

Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven…



… I stay too long: but here my father comes

A double blessing is a double grace, occasion smiles upon a second leave

Create your own at Storyboard That

Tight Framing

Tight framing into two shot

Zoom/tight framing into loose frame 

Pans away from Laertes and is eye level with Ophelia

Standing eye level to Laertes, Two shot

(Two shot) into panning away from Ophelia and Laertes, tilt from down to up

Laertes is packing. While packing he talks to Ophelia. His back is turned to Ophelia while Ophelia is sitting

Focused on Laertes then frame shows Ophelia during their conversation

Zooms on Laertes until he’s almost done talking then goes into loose frame to show reaction

This is used to show Laertes and Ophelia engaged in talking

conflict with Laertes. Ophelia is talking back to Laertes

Focus goes onto Polonius to show that he’s the most respected

My necessaries are embarked 

Forward, not permanent, sweet, not

lasting. The perfume and suppliance of a minute; No more


Perhaps he loves you now… He may not, as un valued persons do…

Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven…



… I stay too long: but here my father comes

A double blessing is a double grace, occasion smiles upon a second leave

Create your own at Storyboard That

Tight Framing

Tight framing into two shot

Zoom/tight framing into loose frame 

Pans away from Laertes and is eye level with Ophelia

Standing eye level to Laertes, Two shot

(Two shot) into panning away from Ophelia and Laertes, tilt from down to up

Laertes is packing. While packing he talks to Ophelia. His back is turned to Ophelia while Ophelia is sitting

Focused on Laertes then frame shows Ophelia during their conversation

Zooms on Laertes until he’s almost done talking then goes into loose frame to show reaction

This is used to show Laertes and Ophelia engaged in talking

conflict with Laertes. Ophelia is talking back to Laertes

Focus goes onto Polonius to show that he’s the most respected

My necessaries are embarked 

Forward, not permanent, sweet, not

lasting. The perfume and suppliance of a minute; No more


Perhaps he loves you now… He may not, as un valued persons do…

Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven…



… I stay too long: but here my father comes

A double blessing is a double grace, occasion smiles upon a second leave

Create your own at Storyboard That

Tight Framing

Tight framing into two shot

Zoom/tight framing into loose frame 

Pans away from Laertes and is eye level with Ophelia

Standing eye level to Laertes, Two shot

(Two shot) into panning away from Ophelia and Laertes, tilt from down to up

Laertes is packing. While packing he talks to Ophelia. His back is turned to Ophelia while Ophelia is sitting

Focused on Laertes then frame shows Ophelia during their conversation

Zooms on Laertes until he’s almost done talking then goes into loose frame to show reaction

This is used to show Laertes and Ophelia engaged in talking

conflict with Laertes. Ophelia is talking back to Laertes

Focus goes onto Polonius to show that he’s the most respected

My necessaries are embarked 

Forward, not permanent, sweet, not

lasting. The perfume and suppliance of a minute; No more


Perhaps he loves you now… He may not, as un valued persons do…

Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven…



… I stay too long: but here my father comes

A double blessing is a double grace, occasion smiles upon a second leave

Create your own at Storyboard That

Tight Framing

Tight framing into two shot

Zoom/tight framing into loose frame 

Pans away from Laertes and is eye level with Ophelia

Standing eye level to Laertes, Two shot

(Two shot) into panning away from Ophelia and Laertes, tilt from down to up

Laertes is packing. While packing he talks to Ophelia. His back is turned to Ophelia while Ophelia is sitting

Focused on Laertes then frame shows Ophelia during their conversation

Zooms on Laertes until he’s almost done talking then goes into loose frame to show reaction

This is used to show Laertes and Ophelia engaged in talking

conflict with Laertes. Ophelia is talking back to Laertes

Focus goes onto Polonius to show that he’s the most respected

My necessaries are embarked 

Forward, not permanent, sweet, not

lasting. The perfume and suppliance of a minute; No more


Perhaps he loves you now… He may not, as un valued persons do…

Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven…



… I stay too long: but here my father comes

A double blessing is a double grace, occasion smiles upon a second leave

Create your own at Storyboard That

Tight Framing

Tight framing into two shot

Zoom/tight framing into loose frame 

Pans away from Laertes and is eye level with Ophelia

Standing eye level to Laertes, Two shot

(Two shot) into panning away from Ophelia and Laertes, tilt from down to up

Laertes is packing. While packing he talks to Ophelia. His back is turned to Ophelia while Ophelia is sitting

Focused on Laertes then frame shows Ophelia during their conversation

Zooms on Laertes until he’s almost done talking then goes into loose frame to show reaction

This is used to show Laertes and Ophelia engaged in talking

conflict with Laertes. Ophelia is talking back to Laertes

Focus goes onto Polonius to show that he’s the most respected

My necessaries are embarked 

Forward, not permanent, sweet, not

lasting. The perfume and suppliance of a minute; No more


Perhaps he loves you now… He may not, as un valued persons do…

Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven…



… I stay too long: but here my father comes

A double blessing is a double grace, occasion smiles upon a second leave

Create your own at Storyboard That

Tight Framing

Tight framing into two shot

Zoom/tight framing into loose frame 

Pans away from Laertes and is eye level with Ophelia

Standing eye level to Laertes, Two shot

(Two shot) into panning away from Ophelia and Laertes, tilt from down to up

Laertes is packing. While packing he talks to Ophelia. His back is turned to Ophelia while Ophelia is sitting

Focused on Laertes then frame shows Ophelia during their conversation

Zooms on Laertes until he’s almost done talking then goes into loose frame to show reaction

This is used to show Laertes and Ophelia engaged in talking

conflict with Laertes. Ophelia is talking back to Laertes

Focus goes onto Polonius to show that he’s the most respected

My necessaries are embarked 

Forward, not permanent, sweet, not

lasting. The perfume and suppliance of a minute; No more


Perhaps he loves you now… He may not, as un valued persons do…

Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven…



… I stay too long: but here my father comes

A double blessing is a double grace, occasion smiles upon a second leave

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Texte du Storyboard

  • Tight Framing
  • My necessaries are embarked 
  • Tight framing into two shot
  • Forward, not permanent, sweet, not lasting. The perfume and suppliance of a minute; No more
  • Zoom/tight framing into loose frame 
  • Perhaps he loves you now… He may not, as un valued persons do…
  • Laertes is packing. While packing he talks to Ophelia. His back is turned to Ophelia while Ophelia is sitting
  • Pans away from Laertes and is eye level with Ophelia
  • Focused on Laertes then frame shows Ophelia during their conversation
  • Standing eye level to Laertes, Two shot
  • 
  • Zooms on Laertes until he’s almost done talking then goes into loose frame to show reaction
  • (Two shot) into panning away from Ophelia and Laertes, tilt from down to up
  • … I stay too long: but here my father comes
  • This is used to show Laertes and Ophelia engaged in talking
  • conflict with Laertes. Ophelia is talking back to Laertes
  • Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven…
  • Focus goes onto Polonius to show that he’s the most respected
  • A double blessing is a double grace, occasion smiles upon a second leave
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